t seems like forever since we first heard Ryan Leslie on “Diamond Girl” then became mildly interested in his relationship with Cassie. Finally after many push backs, his self-titled debut has been released. His first single wasn’t a smash hit but it seemed that the Harvard grad could only excel from there. 
Unfortunately, the ride is more of a one-note coast rather than any unexpected twists and turns.Leslie wafts in and out of his infatuation for this woman or the next from the neatly wrapped club bangers like “Addiction” to the adult contemporary drum-beats in “Quicksand.”
Honestly, I can’t help but wonder what is it about women that he is so in love with that makes him want to whisper but never actually shout.
Since Leslie is clearly aware of his distinct tone’s vocal boundaries he gains points for knowing his limitations (which is more than we can say for a lot of artists). “Valentine” allows Leslie to play a Prince-like character mimicking the high-pitched singer’s seductive murmur; then crossing back over to his own sound. Evoking a game of vocal double- dutch that is admirable but not really very interesting. If you look closely in the credits for the neo-soul inspired “Just Right” you will find keyboard additions from rumored fling and model Chanel Iman.
High notes include “How It Was Supposed to Be” which pleasantly brews base and guitar instrumentation that fit like a glove. On the flip side “I-R-I-N-A” will tickle your fancy but is not likely to keep your attention if it should be so lucky to grab it.
For writing, composing, and producing his own music Leslie gets honorable mention among the R&B new school. But though things fizzle a little, this debut fails to come to a full boil.
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